ДРУГИТЕ ЗА НАС

    Много полезни съвети и препоръки от д-р Бонка Матова – преподавател в НУТИ и Национална Музикална Академия „Проф. Панчо Владигеров“:

    Благодарение на Вашата покана имах възможност да се запозная с работата на Вашата Федерация. Впечатлена съм от организацията и най–вече от младите и талантливи участници (за които благородно ви завиждам) и техните ръководители. Хубавото е много, но както казваше изтъкнатата балерина и педагог Лили Берон “Хубавото вие си го знаете, а и да не го знаете, то пак си е хубаво”. Затова реших да споделя някои мои впечатления и направя предложения, които може да помогнат на ръководителите и колективите в тяхната работа, като правя уговорката, че това е мое мнение и не е задължително.

    По отношение на хореографското решение на танците:

    1. Названието на танца не винаги съответства на идеята му. Когато няма сюжет, танцът може да се обяви с по – неутрално название, например “ Етюд”, “ Настроение”, “ Импресия “ и пр.

    2. Най – важното условие за положителното възприемане на танца е да се избират подходящи за възрастта и възможностите на децата  движения, идея и стил и да не се използват движения сами за себе си, дори да са много ефектни и сложни.

    3. Да се обърне внимание при подреждането на изпълнителите, което често е асиметрично и нарушава естетиката на композицията.

    4. За по – цялостно и впечатляващо представяне на колективите, добре е ако танците са няколко, те да бъдат контрастни и да покажат изпълнителите в различна светлина.

    5. При поставянето на танца да се внимава за ракурсите при позите, които често са неестетични.

    6. Особено важно условие за представянето на един танц е неговата прецизна изработеност. Често срещани грешки са: стъпване през пета и затворени стъпала, без това да е изискване за дадения танц, липса на преходи между движенията, което напомня на гимнастистически упражнения, хаотични ръце. Движенията трябва да са комбинирани логично, красиво и удобно за изпълнение. При масовите танци, които най – трудно се изработват, предлагам да се използват такива форми като канон, сола, изпълнения по групи, при които лесно се постига еднаквост и спазване на рисунъка.

    7.  За всички стилове танци и особено за класическия, характерния и съвременния танц във всичките му разновидности се изисква задължително правилна постановка на корпуса и особено гърба, ръцете и отвореност на краката, сила на стъпалата, координация и не на последно място танцувалност, артистичност и музикалност. Бих посъветвала ръководителите на колективите, ако искат децата да се развиват добре, да въведат задължителен подходящо подбран класически екзерсис, който разбира се, трябва да бъде прецезиран за различните жанрове. От разговорите си с тях, зная, че някои го правят и това има положителен ефект.

    Конкретни изисквания  за класическия танц:

    1. Да се използват оригиналните хореографии при класическите вариации от балетния репертоар, само ако децата се справят с тяхната трудност. Може да се правят и облекчени варианти, но да се посочи в програмата. Промените и облекченията да са логични и да не нарушават стила на вариацията. Например може да се замени tour pigue с  glissadе en tournant,  един пирует вместо два и пр.

    2. Да се поставят вариации върху изучения материал, съобразени с възможностите на децата.

    Искам да посоча движения, които са подходящи за децата: pas de bourre simple и  suivi,сценичен sissonne, pas balance, changement, echape, tempe lie ,jete fondu. А за по – големите:  glissade en tournant, grand assamble, balonne, grand jete, grand sissonne и др. За най – малките сладури е достатъчно да са ритмични и музикални и да изпълняват лесни движения еднакво, организирано и артистично.

    3. Много внимателно с “палците” при момичетата. Детското стъпало е много крехко и при неправилно натоварване, липса на “падиом” и изработено силно стъпало, могат да се получат сериозни травми.

    По отношение на характерния танц:

    1. Личното ми мнение е, че танци като цигански, испански, бих добавила и бели денс не са подходящи за малки деца, защото те изискват зрялост и житейски опит. Децата в тези танци изглеждат понякога пародийно и комично. Има и изключения, но това зависи от начина на постановка и се постига трудно.

    2. Бих предложила на ръководителите подходящи танци за различна възраст, които ще обогатят танцовата култура на децата. Такива танци за по – малките са различните  полки, няма народ, който да няма такъв танц, Например – освен чешката полка, особено интересни и различни са белоруска, мексиканска, естонска полка,  детска италианска тарантела, има вариант и за големи, полски краковяк, украински гопак, руски хоровод или пляска и др. За по – големите освен испански, цигански, индийски  танци, има унгарски чардаш, мексикански танци, полска мазурка, руски и украински танци с много ефектни движения, а защо не и грузински, еврейски, арменски и др. Смятам, че едно разнообразие от характерни танци ще развие у изпълнителите  техниката и чувството за стил.

    По отношение на съвременните техники:

    Тук най – силно впечатление ми направи използването на мъжкия тур встрани подред, изпълняван и от жени, хващането за петичка, циганско колело, шпагат и различни акробатични упражнения( предполагам, че това са задължителни елементи, изисквани от регламента на федерацията.). Но те се използват самоцелно, често в разрез със замисъла и нарушават стила и характера на танца.

    Искам още веднъж да споделя силното впечатление, което ми направиха чудесните като качества деца, особено момчетата, а също така тяхната дисциплина, организираност и изключително желание, хъс и любов към танца. Смятам обаче, че за тях по – добре ще бъде, ако се изявяват в по–малко жанрове, тъй-като някои от стиловете взаимно се изключват като методика (например класически танц и бели денс или латино). За утвърдени артисти това не би било пречка. Предполагам, че не съм прекалила и няма да се приеме като нравоучения.

    Позволих си да напиша това дълго послание, защото се възхищавам на труда ви и защото знам от собствен опит колко трудна и отговорна е работата на педагога и ръководителя. Желая на всички деца, ръководители и родители да запазят любовта си към танца и да радват почитателите си.

    Бонка Матова

    1. Изказвам искрената си благодарност към целия екип на Българска Федерация по спортни танцови дисциплини за възможността за изява, която предоставяте пред всеки участник!

    Вашата подкрепа и професионализъм  стимулира децата и съхранява в тях духа и магията на танца! Благодаря за това, че Ви има!!!

М. Тоскова

Относно: Какво написаха нашите деца ,въодушавени от участието си в Спартакиадата

Съобщение:
Моя ден от Спартакиадата
от Мони Даскалова и Кати Сръндева

Във Федерацията по спортни танцови дисциплини
стават чудесни балерини
всеки ден се правят сложни номера

и чудесни колела,
с готини костюми
и шантави прически
ходиме наперени
по звезните пътечки.
Аз съм принцеса Флорина
и съм сладка като малина.
Играхме клисически балет
с малка купа сладолед.
Участвахме в соло – деца
и спечелихме първите места.
Ние тренираме в студио „G“
и сме най-добри!

Не можах да не ви изпратя това стихотворение,за да усетите и вие щастието,което доставихте на децата с организираната на ниво Танцова спартакиада. Сигурна съм, че ще ви стане особено приятно да знаете, че сте доставили едни приятни изживявания и сте създали прекрасни спомени в сърцата на едни истински чисти създания. Благодаря и аз, защото няма нещо по-цено за мен от мига, в който виждам усмивка на лицето на дъщеря ми.
С уважение: Десислава Сръндева

Daniela Koeva Благодарим за информацията, която получаваме за децата от БФСТД, организаторите и треньорите им. Благодарим, че ни информирате за програмата и най – вече: за това, което се случва всеки ден с с децата ни ! Ние сме с вас и ви подкрепяме !!! УСПЕХ :))))))

by the sugar industry. Don’t be such racialists, sugar industry! To make their product more acceptable to whitey, sugar companies use a filtering process to strip it of its color. In some cases, the process is a typically boring one, using ions vibram five fingers shoes and such. But sugar derived from sugar cane (about a quarter of the sugar in the United States) goes through a . different process. Domino, the largest sugar producer in America, uses bone char to filter impurities from its sugar. Bone char is delightfully produced using the bones of cows from cheap michael kors India, Pakistan and Afghanistan that have died from „natural causes,“ like when cows forget to wear a helmet when riding their motorcycles. The bones are Replica Christian Louboutin Shoes bleached in the sun and sold to marketers who then sell them to the US sugar industry after they’ve been used by the gelatin industry. What the gelatin industry does with the bones, we don’t want to know. The bones are then heated to the point Christian Louboutin Online that they become a perfect means of filtering sugar. We don’t know by what alchemy
is paying off. And while other luxury brands strive to appear exclusive and aspirational, Kors embraces a fake Michael kors handbags more accessible cheap Michael Kors Outlet image. And the timing was spot on. This population, dubbed („High Earners Not Rich Yet“), helped Michael Kors thrive chi hair straighteners during a global economic recession. , who make $100,000 to $250,000 a year, are a growing group, according to Lutz, while fake michael kors the wealthiest households are both making and spending less than they used to. There cheap michael kors sale are now 10 HENRY households for every super rich household, and the buy Michael Kors accessories to red bottom shoes splurge without being irresponsible. Mr. Kors himself Michael Kors is not the only brand to zero in on accessories and affordable luxury. Most notably, the company shares the space with Coach, a 70 year old brand that is struggling under Kors momentum, says NASDAQ Investor Observer. Though there are multiple theories behind Coach slowing growth, Michael Kors has a tangible asset that its rival does not: A „face“ for the brand, Mr. Michael Kors himself. A
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The Broncos (12 3) clinched the AFC West crown and a first round playoff bye with the victory and Kansas City’s 23 7 home loss to Indianapolis.

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San Diego kept playoff hopes alive with a 26 13 triumph but the Detroit Lions were ousted from playoff contention with a 23 20 over time loss at the Giants.

In games involving teams with no playoff hopes, St Louis defeated Tampa Bay 23 13, the New York Jets downed Cleveland 24 13 and Tennessee beat Jacksonville 20 16.

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